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Thursday, October 16, 2014Jonnie Common – Trapped in Amber Album Launch Shows

Jonnie Common Album Launch Digiflyer

Jonnie Common‘s glorious new album – yes, seriously, glorious – is being released into the world on Halloween of this year (pre-order your copy here) and to celebrate, we are arranging some launch shows. And they will be fantastic. Therefore you should come.

Aberdeen is (tragically) going to be the last Citizen Mule gig, so please give the silly oaf (Stevie, not Jonnie) a good send-off. The Edinburgh show is in the rather gorgeous Pilrig St. Paul’s, halfway down Leith Walk, and on the Saturday night in Glasgow the Save-As Collective have a special night planned, with a Miaoux Miaoux DJ set and everything.

The album is great, the shows are going to be great, I am just chuffed to bits all round with this whole business. And not a cynical comment in sight. What’s happened to me? It’s like I don’t even know myself anymore.

Thursday 13th November – Aberdeen
At Downstairs, with Christ and Colin Austin – tickets £5 on the door

Friday 14th November – Edinburgh
At Pilrig St. Paul’s with Wolf – tickets here.

Saturday 15th November – Glasgow
At the Glad Cafe with Wolf & Ross Sutherland – tickets here.

And just for fun, here is Jonnie’s new single.

Friday, October 10, 2014Looking Forward to 2015

future What, seriously, already? Actually, as much as Christmas being in the shops already annoys me, and as much as online List Season starting in November also annoys me, at a record label where manufacturing lead times are now measured in months rather than weeks, and where a PR campaign takes four months to execute, 2015 has actually been on my radar for some time.

The thing is, we’re going to be sort of different next year, I think. Our two biggest-selling bands aren’t going to be releasing anything for a while, if at all.  Sparrow and the Workshop are in double-baby meltdown/heaven (delete as appropriate) and Meursault are officially no more.

In terms of our more established bands, Adam Stafford is working on a new album, which should be reaching completion near the end of the year, David Thomas Broughton has a mental but brilliant transcontinental project planned, Meursault has become Neil Pennycook who has become Supermoon, and Rob St. John is also working on new recordings. And I haven’t heard much from The Leg recently either, which tends to mean a new album is somewhere in the future.

Before all of this, however, we’re likely to be releasing something like four debut albums, and these can be weird, mostly because they are so unpredictable. The Plastic Animals one is being mixed as we speak, Numbers Are Futile have finished theirs, Ian Turnbull from Broken Records has made a beautiful instrumental album which has just gone for mastering and there is something very rocky and boisterous which we are likely to be releasing but I can’t really announce just yet as I haven’t actually heard the record – tonight, apparently!

The upshot of all this is twofold. Firstly, we could look like a very different label by the middle of next year. All the new bands will give it a very different flavour, I think, and the music is a wee bit different from what we normally release, which is rather nice.

Also – and this is the part which gives me the most thought – a lot of the stuff we’ll be doing will be short-run, either because that’s the safest way to deal with debut albums or just because it is the nature of the project itself. We’re also going to start releasing some stuff on tape too, and these are short run pretty much by definition and should allow us to do a lot more spontaneous, informal recording in our new warehouse space.

Consequently, instead of not having anything by our two biggest-selling artists being a drawback, I actually think it could be turned into a real advantage in a way. I won’t be worrying as much about managing big PR and distribution campaigns, and I think by far the best way to make a virtue out of a necessarily short run is to make each one really quite different. Not that we didn’t put a lot of thought into our releases before, but it simply isn’t practical to give each artefact individual care and attention when you are making thousands of them, whereas with hundreds you can do something a bit more special.

I would like to work a lot closer with local artists and illustrators too, and maybe get them and the bands into the warehouse together and make the release more of a collaboration, get a printing station set up and do our own screen-printing, try and find really nice things to add to our releases beyond just giving people a record, be it art, photography, writing… anything which makes sense with the band and the music and which just makes each release that little bit more personal and that little bit more of a treat.

I don’t know quite how these changes will affect our reputation or the image this label has in the public eye, but it does go back to what we intended to do when we started out, which is to make short, DIY runs of interesting music that might not be obviously commercial, and not worry too much about being a junior version of a traditional record label, which frankly the world has more than enough of already.

So it’ll be different. But I think it’ll be ace – I’m really looking forward to it.

Wednesday, October 8, 2014Crumbs: New Jonnie Common Single

Crumbs - RGB 2000px

It is indeed New Jonnie Common Single Day here at Song, by Toad Records, with the second song from his belting new album Trapped in Amber now being officially set loose upon the internet. The album is being released on Halloween this year, and we’ll be doing a small run of launch shows in Aberdeen, Edinburgh and Glasgow on the 13th-15th November and are looking at a label Christmas Party down in London in early December as well.

You can pre-order the album on vinyl or CD here. The CD version comes with an entire alternate version of the album, and if you pre-order the vinyl you’ll get a download card for this version as well.

This tune is a classic example of Jonnie’s way with a lyric: even though not all of it makes immediate sense, there’s a sort of playful warmth there. The Books were actually cited as a possible comparison on CMU the other day, and I have to confess that although I had never really thought of it, the similarity is definitely there. Which is ace, because I fucking love The Books.

Anyhow, I think think we’ve now served up the most obviously cheerful pop moments on the album, so be aware that the rest of it is both melancholy and downright weird at times, but if this and Shark can’t tempt you to buy this record, frankly nothing will. Great songs, the pair of ‘em.