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Wednesday, August 27, 2014David Thomas Broughton and Juice Tour

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In support of their brilliant new album Sliding the Same Way (out at the end of September on Song, by Toad Records) David Thomas Broughton and Juice Vocal Ensemble will be hitting the road over the course of September, both to promote the release, and also to give you one of the only chances you’ll get to see the collaboration performed live. They’re also performing at the End of the Road Festival too, for those going along.

The album itself hasn’t been out for review all that long yet, but we’re starting to get some very happy responses indeed – This record is brilliant, but bloody heck it’s a bracing listen” – “simultaneously jarring and elegant” – “the only bone-fide genius currently making music in the world – and of course my favourite ever press quote for one of our releases: “will make you smile, cry, go”what?” and release bodily fluids in equal measure”.

Have a listen to the first single below, as well as a song from our 2014 Sampler, and pre-order your copy of the album here.

 

Wednesday, August 20, 2014Please Help Fund a New David Thomas Broughton Documentary

The Ambiguity of David Thomas Broughton (video pitch & teaser1) from Greg Butler on Vimeo.

If you are quick – i.e. take action today – there is a new documentary about David Thomas Broughton which is using Indiegogo to raise funds, and of course we would appreciate any contribution you can make. This isn’t one of those conditional plans, basically all money goes towards the making of the film, even if the stated goal isn’t reached so everything is valuable.

I am really looking forward to seeing this, however it turns out. Having watched David divide and delight audiences I am always interested in how people articulate what exactly it is they get from his performances. Personally, I love genuinely not knowing where he’s going next.

Even now that I know a lot of the songs in his set pretty well, as we’re getting ready to release a couple of his album in the fairly immediate future, I still never really know whether he’s going to sweep those lovely tunes up into some sort of tornado of layered loops and improvised noise, or whether he’ll just cut everything out and let the melody and his voice speak for themselves.

It always seems pretty improvised too, so I am not really sure even he knows where he is going, which for me just adds to the appeal.

David himself, however, is such a lovely, normal guy when you meet him. He’s even said to me that he’s not sure why people keep calling it strange, he just makes noises that he likes, but there’s a definite change to how he comes across the second he steps on stage.

He’s an interesting chap, and I am really looking forward to seeing this film.

And while we’re at it, I know you probably know about this already, but on the 22nd September we are releasing a collaborative album with David and the Juice Vocal Ensemble. You can pre-order it here, and the first single is below:

Wednesday, August 13, 2014Plastic Animals

Plastic Animals – Floating from Song, by Toad on Vimeo.

I know tonight at the Queen’s Hall is mostly being discussed in terms of being the last ever Meursault show, but of course opening for them are another Song, by Toad band: Plastic Animals.

I always thought of Plastic Animals as a band with real potential, but it was recording with them for the second Song, by Toad Split 12″ when I decided I really wanted to release their music more formally. I am not sure what it was about those tunes. They are shoegazey, but not that nasty. There’s a dreamy thrum to them too, which I love. I love the drum sound, and even the minimal layering that we did worked really well. It just sounded like proper music despite being recorded live in our living room.

Since then, they’ve been working on their debut full-length album, and there are only one or two bits and pieces left to get down before the mixing can start. I’ve not really heard much of it because I try not to over-saturate myself with our new albums before they are finished, mostly to avoid becoming too attached to rough mixes, but also to make sure I don’t use up all my sense of excitement before the finished product is actually in my hands.

It’s always a bit of a risk, inviting a band to record an album for you without having much idea what the material is like, but their show at the Pleasance Sessions last year was fucking great. Shoegazey, yes, but getting krauty as fucking in moments too, and a handful of new songs which gave me that ‘Oh fucking YESSS!’ feeling you get when you hear something new and fantastic.

And tonight, for what I think is the first time, they’ll be playing the Queen’s Hall. I am really, really excited to see it.

Plastic Animals – Pizarnik from Song, by Toad on Vimeo.