Latest Releases

Latest News

Wednesday, March 25, 2015Garden of Elks Album Launches Tomorrow and Sunday

ADistortedSighHiRes

Yep, that’s right, A Distorted Sigh by Garden of Elks is coming out soon – early April, actually – but the vinyl has arrived and I am collecting the tapes from Glasgow today so if you can catch them at their next couple of shows then you can get a copy slightly ahead of time (alternatively, you can order one from us online). They look and sound ace, too.

The lads are playing two dates with Broken Records this week, one at Summerhall in Edinburgh tomorrow and the other in Glasgow at Nice ‘n’ Sleazy’s on Sunday, so pop down if you want to see them.

Tomorrow is the first night of a series of gigs at Summerhall under the Nothing Ever Happens Here banner, something which is hopefully going to bring mid-level touring bands back to Edinburgh for the first time in what feels like years. It’s perfectly placed inbetween the smaller venues like Henry’s, Sneaky Pete’s and the Electric Circus which we’re actually relatively well-served with here, and the bigger places like the Queen’s Hall, who have to be a bit careful who they book because it’s a big venue and they have to be confident that they can draw enough people.

One of the key things I am hoping the press surrounding these nights will do is start to dispel the impression that Edinburgh isn’t well-served for music. As the name implies, it’s a popular perception, but in fact there is quite a lot going on in Edinburgh if only we could persuade people to come along to it and take a more regular interest. And hopefully some of this more well-publicised, high-profile stuff can encourage people to poke around and see what else is available, particularly if, as is the plan, a lot of the smaller bands playing these more underground nights get the chance to play more high-profile support slots at the Summerhall shows.

Anyhow, see you there tomorrow? Don’t let yourself down by making bad life choices.

Garden of Elks – SWAP from Song, by Toad on Vimeo.

Tuesday, March 24, 2015Song, by Toad at the Easter Independent Label Market in London

ilm

That’s right folks, this weekend we shall be down in London for the Independent Label Market at Spitalfields once again.

We don’t really have any ‘exclusives’. I mean, we don’t really do exclusives, honestly, we try and make everything as special as we can, and then make it available for everyone. But we do have some interesting advance copies of stuff you may like – the Garden of Elks album, for example, and the Supermoon tape, and also the Rob St. John and Woodpigeon Split 10″. And of course our fantastic Gin & Swearing t-shirts and Real as Fuck sweaters.

So there will be lots of very, very good things for you to come along and buy, and of course you get the wonderful benefit of my gloriously sunny company. And who could possibly ask for anything more.

I’ve got the stall plan now too, and we are in the very far corner of the market. This may sound less that ideal, but actually we’re right next to Domino, and in terms of musical suitability that makes a lot of sense to me, and maybe we can exploit some of their overspill to make up for the fact that I will probably spend far too much money on their records while I’m there.

Garden of Elks – SWAP from Song, by Toad on Vimeo.

Wednesday, March 18, 2015Jonnie Common – Binary 101

Jonnie Common – ‘Binary 101′ (Official) from Jonnie Common on Vimeo.

It’s been a good wee spell for Jonnie Common. In the wake of his excellent 6Music session with Tom Robinson (starts just over half an hour into this show, if you want to listen back), he’s been playing a series of dates around the country in places like Manchester, Cardiff (Sunday) and, this Saturday, The Shacklewell Arms in London with Song, by Toad label-mates Le Thug.

To accompany the tour this week we released Binary 101, the third single from his latest album Trapped in Amber, released to a pretty splendid reception on Halloween last year. It’s from the slightly odder end of the spectrum, as far as the album is concerned. We tried to stick to ‘the pop songs’ for the first couple of singles, and this is a little odder, although I say a bit too much, no matter how strange the noises are which Jonnie uses, the end result is pretty much always really approachable.

There’s also a b-side, Binary 202, which I think started out as a reworking of Binary 101, and was initially even just called ‘extended mix’, but ended up moving so far away from the original source material that it turned into a separate song in its own right. Enjoy! And pop along to some of these shows if you get the chance.