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Tuesday, July 15, 2014Death to Meursault

Meursault Cloud For the eagle-eyed amongst you – or, basically, just those of you with Facebook – you may have noticed the recent announcement that August’s Pale Imitation show at the Queen’s Hall will be the last ever Meursault show.

It’s weird, this. There’s a large sense in which it’s none of my business, of course, but Meursault were the first band we seriously released, way back in late 2008, so it’s quite an important event from the the point of view of both myself and the label. It’s very fair to say that, initially at least, our reputation hinged on being Meursault’s record label. We’ve diversified since then, of course, but having them on the books from the off meant that people took us way more seriously than they would have otherwise.

Neil will continue to make music, of course, and a lot of his current collaborators will continue to work with him, so from a fan’s point of view I really don’t think too much will change.

You might ask, if that’s the case, why bother killing off Meursault, and I have to confess that I can’t quite answer that. People all know that Meursault is based around the songwriting, delivery and generally also the arrangements and production of Neil Pennycook, so Meursault can be whatever he wants it to be, surely. Song, by Toad is my voice on the internet, whatever I chose that to be, so when the Friday Fives and Monday listings became a serious chore to write every week I just killed them off, because labouring through those posts every week was threatening to sap my enjoyment of writing.

Having said that, creative identities can end up developing their own sense of confinement. In some ways the commercial damage done by having to relaunch a new band into the world will probably be quite liberating. Maybe we can finally, finally hear the end of terms like folk-fucking-tronica, and perhaps the general music industry perception that each project by a band needs to be bigger and more ambitious than the last will also be sidestepped.  So as much as I don’t think I would have made this particular decision myself, I can certainly understand it.

Then again, no one Meursault album has ever sounded all that much like any other anyway, so will the next project be wildly different from what has come before? I don’t know, but as I said, I doubt there will be much difference from a fan’s perspective. The new project, whatever it ends up being, will probably sound as unlike Meursault as any of the Meursault albums sounded like their predecessors, but the industry and the wider, less actively interested public will probably see things a little differently, and I think that will probably be enough.

Myself, well, there’s that ‘end of an era’ nostalgia, but I don’t really mind all that much, to be honest.  I just want to hear whatever music happens next, irrespective of what it’s called. I guess we’ll see. So with a bit of luck I’ll see you at the Queen’s Hall, and we can bid goodbye to the band who have given us a shitload of truly phenomenal music over the years. The King is dead, long li… no, hang on, that’s too clichéd even for me.

I guess I’ll just end with a song I heard on my first ever visit to the band’s MySpace page. A visit where I thought ‘holy fuck, what the hell is going on here’, and the rest, as they say, is hist… no, sorry, fuck that, no more clichés, I promise.

Our Third Split 12″ Vinyl Is Here!

2014-07-15 16.24.27

Yep, that fine, yellow beauty up there is the third in our series of Split 12″s on Song, by Toad Records. You can buy one here, and I recommend you do, because it’s fucking awesome.

Of course, I would say that, wouldn’t I. But it’s not just me, we’ve had radio play for this from Tom Ravenscroft, Gideon Coe, Lauren Laverne, Steve Lamacq and Tom Robinson, as well as a ton of support on Amazing Radio as well. It’s been brilliant, particularly given our traditionally patchy results with self-promoting to national radio. Anyhow, the launch nights are fast approaching, so I thought I should give you another wee nudge. Firstly we have Glasgow at Nice ‘n’ Sleazy’s on the 24th July (tickets here), followed by our first Song, by Toad House Gig in the new place down in Leith on the 25th (tickets here). We’ll be getting the barbie on for this one before the gig (if it’s not raining) so bring something to throw on there if it’s nice.

And also, out of sheer, naive generosity, here is some more streaming fun for you – a cover of James Yorkston’s Chalkhill Blue by Sparrow and the Workshop. Side 2, track 1!

Saturday, June 28, 2014Split 12″ v3 Launch Gigs

SbTR-A-026 Outer Sleeve v2

Our third Split 12″ is nearly here, and this one was recorded up at the Insider Festival last year. The festival takes place up in the Highlands, and Nic Rue took some fantastic photos of the recording process, which you can see here.

We’ve got a couple of launch nights booked – one for Glasgow and one for Edinburgh – to welcome the record into the world in the nicest possible way. The Glasgow night is at Nice ‘n’ Sleazy’s on Thursday 24th July, and the Edinburgh show is on the 25th, the day after, and will be the first house gig in our new place in Leith.

We’re planning to light the barbecue as well, so you can come down with some burgers if you want, and have something to eat with us before the show. It would be lovely to see you at either of these shows, so please do come down if you can – and you can pick up some lovely, clear yellow vinyl as well.

All the bands will be playing except for Sparrow and the Workshop, for baby-related reasons. So for all that’s a bit of a disappointment as far as these shows are concerned, it’s great news for Jill and Nick, and also saves me the hassle of trying to get four bands on stage in a relatively short space of time.

Tickets for the Glasgow show can be found here and to buy tickets for the Edinburgh house gig use the Paypal link below.




And partly to whet your appetite, and partly because it is just an absolutely sublime song, here is Dear God by Siobhan Wilson (who will henceforth be performing under the name Ella the Bird), our first single from the Split:

essay help