The Garden of Elks debut album A Distorted Sigh is coming out on Song, by Toad Records in April, and this is the first single.
The video, like the song, cavorts joyously along for a couple of minutes and then packs it in – no fussing, no unnecessary embellishment, no fucking about. That’s pretty much what the album is like too, and that is why I love it.
We’re currently booking gigs around the UK for them to celebrate the release, and they’re playing Edinburgh and Glasgow with Broken Records for the Scottish launches. Pre-order the album on cassette or vinyl from here.
The vinyl for Le Thug’s gorgeous new EP Place Is has just turned up, and it looks AMAZING! The light in our kitchen isn’t ideal for taking pictures but I hope you get the idea. You can order a copy here, if you are suitably convinced.
The launch night is on Valentine’s Day at Summerhall (i.e. next Saturday), and tickets can be had here. We’re going to be in one of the steep-sided lecture theatres, and Ian will be doing some custom one-off visuals for the show. You know Ian – formerly of Song, by Toad Records and now more properly know as dashing young internet entrepreneur/jaded Nathan Barley figure of the Scottish media scene. He and his pal Jordan run Something Something, and made the rather fantastic video for Basketball Land, which has been doing the internet rounds recently and which I have embedded below.
I am away down to Manchester for a couple of days for family stuff, but I will post all of these off when I get back. Don’t they look ace? YIPPEE!
Jonnie Common’s Trapped in Amber was a bit of a quiet triumph, I think. Partly the response was incredible at the time, but it’s also been nice to watch it continue to creep up on people over the last few months despite the relative limits of our PR resources.
Both Jonnie and Bastard Mountain did really well in the BAMS awards – the Scottish ‘Bloggers And Music websiteS’ vote for the album of the year. The Twilight Sad won it, but Jonnie finished in the top ten and Bastard Mountain just outside, which is really nice. Jonnie has some live shows coming up as well, and we are just in the process of sorting out a London show too – hopefully in late March sometime.
28th Feb – STIRLING – Tolbooth headline show
7th March – EDINBURGH – Limbo headline show
8th March – GLASGOW – Broadcast, supporting R.Seiliog
17th March – MANCHESTER – Gulliver’s, supporting Kiran Leonard
Music Like Dirt also named Crumbs and Shark its joint favourite songs of 2014, which is absolutely great news. Neil even recounts the time I had a misty-eyed conversation with him in a pub in London about missing out on releasing Jonnie’s first album – a conversation I had entirely forgotten until that wee reminder – so I suppose he must have had a wee chuckle to himself when the press release for the new one came out.
We’ll be doing a new single with Jonnie soon, Binary 101, so keep an eye out for some new artwork, some extended and alternative mixes and various other bits and pieces. On the subject of artwork, actually, David Galletly, who did all the art for Trapped in Amber including a fantastic wee looped animation which was projected at the album launch shows, has put together a really nice post on this own site about the work he did. It’s great when a release has such coherent, distinctive artwork like this, and I’m really grateful to David for the work he did for us.
In other news, Nialler9 recently made Crumbs one of its best tracks of the week, and Niall himself played the song on his Irish radio show. Muruch also featured Le Thug recently, and you may wonder why I mention these two particular things, but Niall and Vic from Muruch are two of the very first music bloggers, both well established when I started Song, by Toad, and I was early enough as it is.
We know each other from the now-deceased elbo.ws blogger-only message board, but for all I always got on really well with them there, it’s been a long time since we’ve released anything which has prompted either of them (or indeed anyone else I know from that era) to post about our music. That’s fine of course – contrary to the constant accusations of cliqueyness, just being pals with someone doesn’t mean they will like or feature your music. We’d be on the Vic Galloway show every week if that was the case.
But it is nice to see that people you know still keep half an eye on what you’re doing, and that some fellow internet music loons are still beavering away after all this time. At a time when the hipsters writing for free for the bigger online mags seem to have lost interest in us altogether, it just makes me feel like there are still some nice, reliable things about the universe.